论文部分内容阅读
同音持续但表现方式不同,是朱践耳先生五重奏《和》中一个较普遍的创作特点,这一构思体现出古典哲学中“和而不同”的思想内涵,本文就该作品中同音持续所采用的不同表现方式,加以分析论述。
The homophonic continuous but different ways of expression are a more general creative feature in the “Harmony” of the five quarters of Zhu Jian’er. This conception embodies the connotation of “harmony but differentness” in classical philosophy. Continued by the use of different expressions, to be analyzed.