我国古代文论中有一个很重要的概念——虚笔,即作者不直接、正面把话讲完,留下“空白”和空间,让读者去想象、思考、品味、琢磨,从而将欣赏者带进一个寓意深远的艺术境界,收到更好的表达效果。所谓“虚实相生,寓实于虚”,“不著一字,尽得风流”(司空图《诗品》),“含不尽之意,见于言外”(梅圣俞)等,就是这个意思。运用虚笔,虚中见实,是我国古代艺术的传统特点。 There is a very important concept in ancient Chinese literary theory - the imaginary pen, that is, the writer does not directly and positively speak the words, leaving “blank” and space, let the reader to imagine, think, taste, ponder, and thus appreciate the viewer Bringing a far-reaching artistic realm and receiving better expression. The so-called “virtual and realistic, and real and virtual”, “without a word, so as to be romantic” (Saikong map “Poetry”), “with a lot of meaning, see outside the words” (Mei Sheng Yu), etc. meaning. The use of virtual pen, virtual reality, is the traditional characteristics of ancient Chinese art.