从上世纪90年代至今,一种新的非地域化倾向日益鲜明地体现在亚洲电影的文本建构、产业策略、影像风格等各个方面,有人将其称为“文化游牧主义”。泰国电影《宇宙只有我和你》较为集中地体现了这种倾向,本文从电影主题、叙事结构、视听语言运用以及制作团队的构成上分析“文化游牧主义”的具体表现及其意义。 From the 90s of the last century to the present, a new tendency of non-regionalization is increasingly and vividly manifested in various aspects such as the text construction, industrial strategy and image style of Asian cinema. Some people call it “cultural pastoralism.” The Thai movie “The Universe Only Me and You” reflects this tendency in a more focused manner. This article analyzes the concrete manifestation and significance of “cultural nomadism” from the themes of the film, the narrative structure, the use of audiovisual language and the composition of the production team.