玛莎·施瓦茨是当代景观艺术学科史上不容忽视的人物之一,她的作品开辟了景观艺术的新疆域。在施瓦茨的作品中,通过雕塑的应用,她在作品中融入了后现代主义的先锋性,并开拓了景观艺术“怪诞”“幽默”“世俗”的新审美趣味。从历史源流的发展上看,施瓦茨的成功是必然的,而她的成功很大一部分上要归结于其作品中所隐含的先锋性。 Martha Schwartz is one of the most important figures in the history of contemporary landscape art, and her work opens up a new dimension of landscape art. In Schwartz’s works, through the application of sculptures, she incorporates the avant-garde of post-modernism in his works and opens up new aesthetic interests of landscape art such as “grotesque”, “humor” and “secular” . Schwartz’s success is inevitable from a historical source, and much of her success is due to the avant-garde implicit in her work.