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音乐中的联觉反映是人类心理活动的自然规律,音乐的音响与音乐表现对象之间,存在着感觉层面上的对应关系,但由于音乐不是单纯的听觉性对象,人在实际音乐中获得的感受要更加丰富和复杂,所以分析音乐与表现对象的关系时,不能仅仅局限在联觉的层次上,要以联觉作为基础,进行更深入的分析。本文以圣桑《动物狂欢节》为例,根据其中几首具有代表性的作品,分析与音乐表现性相关的美学特征,并在联觉基础上对音乐表现对象的发生过程进行综合性的整体分析。
The synaesthesia reflected in music is the natural law of human psychological activity. There is a sensory level correspondence between musical sound and musical performance objects. However, since music is not a purely auditory object, people obtain in real music Feel more rich and complex, so the analysis of the relationship between music and the performance of the object, can not be confined to the level of synesthesia, synaesthesys as the basis for a more in-depth analysis. Taking Santis “Animal Carnival” as an example, this article analyzes the aesthetic features related to musical performance according to several of the representative works and makes a comprehensive analysis of the occurrence process of musical performance objects on the basis of synaesthesia analysis.