休·科(Sue Coe)的艺术创作同她投身于社会活动及政治活动是分不开的。她的创作主题近到地铁车站的乞丐,远到南非种族隔离的受害者。她那犀利的画笔涉及到三K党、活体解剖、奸淫掠夺、格林汉康芒的反核示威以及伦敦的布里克斯顿暴乱等。尽管科的作品不断在许多美术馆、博物馆展出,她仍然继续为一些畅销的报刊投稿,如《纽约时报》,伦敦的《泰晤士报》等,她认为只有这 Sue Coe’s artistic creation is inseparable from her involvement in social activities and political activities. Her creative theme is nearing beggars at metro stations as far as the victims of apartheid in South Africa. Her sharp brush involved the Ku Klux Klan, living anatomy, rape, the anti-nuclear protests of Greenham Kang Man and the Brixton riots in London. Although her works are constantly on display in many galleries and museums, she continues to contribute articles to some of the best-selling newspapers, such as The New York Times and The Times in London,