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以“踢乐女孩”为代表的大众装饰,是对资本主义经济体系的美学反映。资本主义的问题不在于太过理性化,而在于理性的不足与偏颇,即只发展了以抽象性为特征的合理性,而没有为人性留下空间。为资本主义合理性注解的大众装饰,以其无意义的抽象线条忠实反映了资本主义时代的总体运作状况。故而,在大众装饰这一文化“表面现象”之中,隐藏着揭示资本主义社会内部矛盾的革命性潜能。因此,一味反对大众文化,力图重建高雅艺术的统治,是一种历史的反动。正确的应对方式,应当是潜入其中,进而探求隐于其下的真理之光。
The mass decoration represented by “kicking girl” is the aesthetic reflection of the capitalist economic system. The problem of capitalism does not lie in being too rational, but in the inadequacy and biasedness of reason, that is, only the rationality characterized by abstractness has been developed without leaving room for humanity. The mass decoration, annotated for the rationality of capitalism, faithfully reflects the overall operation of the capitalist era with its meaningless abstract lines. Therefore, in the cultural “surface phenomenon” of mass decoration, the revolutionary potential of revealing the internal conflicts in the capitalist society is hidden. Therefore, it is a kind of historical reactionary to blindly oppose mass culture and try to rebuild the rule of elegant art. The correct coping style should be to sneak into it, and then explore the hidden light of the truth.