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时至今日,福建中国画发展经过百年的淬炼和创造,取得了令人瞩目的成果。它的繁荣与生机已成为中国画坛一个不容置疑的事实。可以说,本次晋京参展的福建当代国画家曾贤谋、檀东铿、陈玉峰、谢振瓯、洪惠镇、翁振新、王和平、郭东健、陈北辰、林容生,都具有深入的传统艺术形式与当下学术架构的多重优势。他们的作品表现出各具特色的形式话语,有的侧重传统的传承,有的侧重现代的创造,或充满张力,或凝重执着,无论是宏幅巨制,还是率意小品,都传达出他们疏淡的心境和放逸的襟怀,显示了一种怡然融和的静远神韵,展示了“八闽”别具特色的山水风光,体现了“闽派”文化的深厚积淀。在继承传统走向现代的多元化探索中,我们会清晰地看到,福建中国画的发展,不是凝固在历史的某个时间坐标上,而是在发展中不断继承,在继承中不断创造,呈现出整体扩张的态势。
Up till now, remarkable achievements have been made in the development of Fujian Chinese painting after centuries of development and creation. Its prosperity and vitality have become an indisputable fact in the Chinese painting society. It can be said that the contemporary painters Zeng Xianxun, Tan Dongkeng, Chen Yufeng, Xie Zhenou, Hong Hui Zhen, Weng Zhenxin, Wang Heping, Guo Dongjian, Chen Beichen and Lin Yung-sheng, the contemporary painters in Fujian Province who participated in the exhibition in Jinjing, all have profound traditional art forms and current academic frameworks Multiple advantages. Their works show distinctive forms of discourse, some focus on the traditional heritage, some focus on the creation of the modern, or full of tension, or stubborn attachment, whether it is macroscopic system, or freehand sketches, are conveyed their sparse The light state of mind and the liberation of the mind show a harmonious blend of distant charm, showing the “eight Fujian” unique landscape, reflecting the “Min School” profound accumulation of culture. In the diversified exploration of succession from tradition to modernity, we can clearly see that the development of Fujian Chinese painting is not frozen at a certain time frame of history, but continuously inherited in development and continued to be created in inheritance, showing The overall trend of expansion.