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一条直线,一根弧线,一首音乐音符等不能称之为艺术的形式美,不容否定,形式美有独特的独立性。中国画是讲究“笔”的即用线,以笔作为造型基础,不仅讲究用笔,更重要注重用笔笔法。从古代最早的岩画中大多数的动物牛、羊以简练的线条,生动的捕捉到动物的神态,即生动又形象;到魏晋时期,开始出席那了以人物画为主,如顾恺之《洛神赋图》,人物中的线条流畅,生动又形象,生动的刻画了人物的精神状态,到汉代出现了画像石、画像砖、浮雕,把线条生动的运用到生活中,以《马踏匈奴》为典型,简练而浑厚的线条,展现了凝重的线条变化。宋代由于经济和文化的发展推动了书法和绘画发展,如李公麟《维摩演教图》,注重于人物的外貌特征和精神刻画,线条健拔,却又粗细浓淡变化,整体绘画风格注重法格,写实而又不失文人画的雅意之感。用线本身就是一种不道之道“因为实体物象并没有线条,就表现物象而言,”线“对物象的一种简化,它概括性很强,仅对线条本身而言,就具备了表意的特征,才不同于一般的表现形式,因此才赋予了”有意味的形式“。
A straight line, an arc, a musical note, etc. can not be called the beauty of the formal beauty of art. It can not be denied that beauty of form has unique independence. Chinese painting is a quick and easy way to pay attention to the ”pen“, taking the pen as the basis of the style. From the earliest rock paintings in ancient times, most animals and sheep vividly captured the demeanor of the animals in vivid lines, vivid and vivid images. During the Wei and Jin Dynasties, they began to attend the exhibition ” Fu figure “, the characters in the lines of smooth, vivid and vivid portrait of the characterization of the state of mind to the Han Dynasty appeared stone, portrait brick, relief, the lines vividly applied to life,” horse riding Huns “ For the typical, concise and vigorous lines, showing the dignified changes in the line. The Song Dynasty promoted the development of calligraphy and painting due to the development of economy and culture. For example, Li Gong-lin’s ”Vimalus Figure“ focused on the appearance and spiritual characterization of the characters, while the lines were uplifted and thick. The overall painting style focused on Fagor , Realistic and without losing the sense of elegant painting of literati. With the line itself is a kind of innocent way ”Because there is no line of physical objects, on the performance of objects, “ line ”a simplification of the image, it is very general, only for the line itself, It has the characteristics of the ideogram, it is different from the general form of expression, it was given “Meaningful form ”.