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研究一个画家作品背后的绘画理论,对于重新审视其作品,包括作品的创作手法及形式语言的运用等,都会提供一个全新的思路。林风眠先生作为“中西融合”这一艺术理想的代表人物,其画作不但吸收了西方现代绘画的养分,并且与中国传统的水墨和意境相结合。林风眠这种执著探求表现形式的背后,蕴涵着深厚的“道”家美学思想:以油画为主的绘画题材反映了人道主义精神,画面表现以一种平和发展的
Studying the painting theory behind a painter’s work provides a completely new idea for reexamining his work, including the creation of his works and the use of formal language. As a representative of the ideal of “Chinese-Western fusion”, Lin Fengmian’s paintings not only absorb the nutrients of Western modern painting, but also combine with Chinese traditional ink painting and mood. Lin Fengmian behind this dedication to explore forms of expression, contains a profound “Tao ” aesthetics: oil painting-based painting reflects the humanitarian spirit, the picture shows a peaceful development