谌北新先生最早打动我的油画风景作品,是画西安美院校园旁边的少陵塬和杨万坡村景,那些画面效果我至今记忆犹新。他20世纪50年代在油训班的毕业作品《公园的早晨》《矿区》,色调鲜明、简洁概括,空气感很强。然而我更加喜欢他画的关中农村,表现性得色彩美和朴实无华的生活气息让我们感到非常亲切。他遵循现实主义创作手法,从现实生活的真实景象捕捉司空见惯的瞬间,面对平庸的对象,如落后贫穷、杂乱而境无夷险、路无大道、杂树交错、顶着瓦片的土墙茅草棚,但是谌先生用纵写横抹笔法、空旷清澈的色调、微妙 Mr. Chen Beixin touched my painting landscape works as early as possible, painting the Shaolingyuan and Yang Wanpo village scenes beside the Xi’an Academy of Fine Arts campus, and the effect of those pictures I still remember in my memory. He graduated from the oil training class in the 1950s “Park Morning” “mining area”, a distinctive color, concise summary, a strong sense of the air. However, I prefer his painting in the middle of Guanzhong rural areas, showing the beauty of colors and plain living atmosphere makes us feel very cordial. He follow the realism of creative techniques, from the real life of the real scene to capture the commonplace moment, in the face of mediocre objects, such as backward poverty, messy and without danger, road without avenue, miscellaneous trees staggered, against the wall of the tile Thatched shed, but Mr. Chen with vertical writing horizontal stroke method, clear and clear colors, subtle