梅兰芳先生在谈到自己最佩服的京剧表演艺术家时,毫不犹豫地表示推崇杨老板杨小楼。问他为什么,梅先生说,因为他对艺术太忠实了,对观众也太忠实了。无论什么地点、什么场合、什么观众,他自己什么心情、什么环境,他在台上都是一样的卖力,从不“泡汤”(演戏偷懒),从不“阴人”(在台上有意为难合作者)。于伶人而言,“玩意儿”地道是首要的,否则根本出不了头。但光有唱念做 When talking about his most admired Peking opera performing artist, Mr. Mei Lanfang did not hesitate to say that he praised Young’s boss Yang Xiaolu. Asked him why, Mr. Mei said, because he is too faithful to the art, too faithful to the audience. No matter what place, what the occasion, what the audience, what his own mood, what the environment, he is on the stage are the same hard, never “bath” (acting lazy), never Taiwan intends to partner hard). In the case of a linguist, “gadgets ” authentic is the most important, otherwise simply can not get out of the head. But light sing do