余虹在《全球化与中国图像——新时期中国油画本土化思潮》中的《序言》对中国当代艺术创作与批评以及中国当代艺术史写作都具有重要的启发性。余虹将“杂交运动”与“杂交地带”看做中国新时期油画本土化与地方化的实质,并将全球化时代中国艺术之希望寄托在打破自我与他者、东方与西方、本土与异乡二元对立的自由创造之上。 Yu Hong’s “Preamble” in “Globalization and China Image - The Trend of Localization of Chinese Oil Painting in the New Era” is of great enlightening significance for the creation and criticism of Chinese contemporary art and the writing of Chinese contemporary art history. Yu Hong regards “hybrid movement” and “hybrid belt” as the essence of localization and localization of oil painting in the new era in China and pin his hopes of Chinese art in the era of globalization in the process of breaking self and the other, the East and the West , Local and foreign dual opposition to the creation of freedom.