在明末清初这段历史时期里,李渔是占有重要地位的作家。他不仅以曲家名而且小说亦佳。小说影响最大的是《十二楼》。此书顺治年间便有刊本,题为《觉世名言第一种》,正文前之书名下,写着又名《十二楼》。据《纳川丛话》记载说:“笠翁有平话小说《十二楼》,仿《今古奇观》体例,书甚佳,可与《十种曲》参观。”可见清时对这部书很重视。李渔是一位杰出的戏曲理论家,解放以后,我们便对他的戏曲理论颇为重视,近几年来研究李渔戏曲理论的人更多起来,无疑的李渔这样一位作家在我国的文学史、戏剧史上均应占有一席地位。那么对李渔小说研究也是必要的了。要评价李渔的小说,首先便是《十二楼》,可惜至今还很少有人研究它,这里略做评议,以为引玉之砖,以求教于方家。 During the historical period from the late Ming Dynasty to the early Qing Dynasty, Li Yu was a writer who possessed an important position. He is not only famous as a songwriter but also as a novel. The greatest impact of the novel is “Twelve House.” The book Shunzhi years there will be a print, entitled “the world’s first famous” before the text of the title of the book, also known as “twelfth floor.” According to “Nachuan Cong words” records said: “Weng Ping Ping novels,” Twelve House, “imitation of” the ancient wonders of the “system, the book is very good, with the” ten songs “visit.” Book is very important. Li Yu is an outstanding theatrical theorist. After the liberation, we attached great importance to his theory of opera. In recent years, there have been more people studying the theory of Li Yu’s opera theory. There is no doubt that such a writer as Li Yu, Drama history should have a place. Then the study of Li Yu’s novels is also necessary. To evaluate Li Yu’s novel, first of all, is the “12th floor”, but unfortunately few people still study it, here a little comment, that cited the brick, in order to teach in the square.