《虬龙天蛟图》创作于癸未(1943年),是张大千在敦煌参摹唐宋壁画最后一年的作品。画面仍然保持着他对宋元绘画的理解。画面构图方式新奇,左侧直取奇峰,进行特写,高耸简括;山顶布局新颖,作虬松危崖;松树以精细的笔法画出,与山峦的皴法形成对比;树根盘根错节, “Jiu Long Tian Kau” was created by Gui Wei (1943), a piece of work by Zhang Daqian in the last year of Tang and Song frescoes in Dunhuang. The screen still retains his understanding of the Song and Yuan Dynasty paintings. The composition of the screen novel way, the left straight take the odd peak, close-up, towering briefs; hilltop layout novel, as Qiong Song cliff; pine tree with fine brushwork draws, and the law of the mountain in contrast;