中国油画的本土化显然是个艰难而需要持久探索的一个命题。这种艰难与持久,除了人们已经认识到的用移植而来的油画去不断切合建立在本土文化审美心理上的、具有本土地貌气候光色特征的色彩谱系外,还有人们未必完全认识到的是否能够真正理解或驾驭那些在欧洲艺术史上沉淀下来的精湛的油画造型与色彩。譬如,印象派对于光的分析而重构油画色调与色相的绘画原理,是我们知悉的(这是美术史的知识),甚至于我们现在也能 The localization of Chinese oil painting is obviously a difficult proposition that needs long-term exploration. This difficult and lasting, in addition to people have recognized the use of transplanted oil painting to continue to meet the local cultural aesthetic psychology, with the local landscape color characteristics of climate spectrum of color spectrum, but also people may not be fully aware of Whether you can really understand or control the exquisite painting shapes and colors that have precipitated in European art history. For example, the Impressionists’ principle of painting that reconstructs the hue and hue of oil paintings for the light analysis is what we know (this is the history of art history), and even now we can