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我国七十年代末兴起的思想解放运动,曾经有力地冲击了思想意识领域中的形而上学和机械唯物论。表现在文艺创作方面,文艺家的主观能动性和文艺创作的特殊规律开始受到了人们的重视,其结果是出现了中国现代史上少有的文艺创作繁荣局面。在这一历史的飞跃中,也曾经出现了某些过分夸大文艺家的主观意识与文艺创作特殊性的错误论点。在这种情况下,我认为认真学习领会毛泽东同志的实践论观点,正确地、全面地理解毛泽东同志对文艺本源、文艺特征、文艺家的有关论述,对
The ideological liberation movement that emerged in the late seventies in our country had a powerful impact on metaphysics and mechanical materialism in the field of ideology. In the field of literary and artistic creation, the subjective initiative of writers and artists and the special law of literary and artistic creation began to receive the attention of the people. As a result, there was a rare prosperity of literary and artistic creation in the modern history of China. In this historical leap, there have also been some mistaken arguments that overstate the subjective consciousness of literary and artistic creation and the particularity of literary and artistic creation. Under such circumstances, I think it is necessary to conscientiously study and understand Comrade Mao Tse-tung’s theory of practice, and correctly and comprehensively understand Comrade Mao Tse-tung’s theory of the origin, literary and artistic features of literature and art and the relevant discourse by artists and artists.