人类创造的陶瓷艺术中.有很大一部分是属于瓶、罐、壶、碗一类器皿型的作品,在这类陶瓷艺术作品中包含着造型和装饰两个方面.对于陶瓷装饰的研究,在过去几十年中是比较重视的,而且获得了比较显著的成绩,这也是与图案基础理论研究的进展分不开的.但是立体造型方面相对是比较薄弱的,陶瓷造型的研究,理论和方法的总结.相比之下却是欠缺的,这是和研究者的着眼点以及实践的局限性有着一定关系.陶瓷造型设计是依据多样的使用目的和欣赏要求.结合具体的工艺材料和工艺技术进行构思的,最终还是通过一定的造型形态来实现的.因为功能效用和审美爱好总是在不断发展,不可能永远简单地重复原来已有的几种形式,而是要求不断产生新的造型,来满足和丰富人们的物质和精神生活,所以造型设计需要创新.尤其是在物质文明和精神文明发达的今天,更显得重要. A large part of the ceramic art created by man is a type of vessel-shaped work that belongs to the type of vessels such as bottles, cans, pots and bowls, and includes two aspects of modeling and decoration in these ceramic works of art. For the study of ceramic decoration, In the past several decades, it has paid more attention to it and gained more remarkable results, which is also inseparable from the research progress of pattern basic theory.However, the three-dimensional modeling is relatively weak and the research, theory and method of ceramic modeling The conclusion is relatively lacking, which is the focus of the researchers and the limitations of practice have a certain relationship between ceramic design is based on a variety of purposes and appreciation of the use of specific materials and process technology The idea is ultimately achieved through a certain form of shape.As the utility of function and aesthetic hobbies are always evolving, it is impossible to always simply repeat the existing several forms, but requires the continuous creation of new styling, To meet and enrich people’s material and spiritual life, so the design needs innovation.Especially in the material civilization and spiritual civilization developed today, even more To.