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近二十几年,以北京舞蹈学院为代表的“学院派”民间舞越来越显现出自身独有的风格和特点,逐渐呈现出距离真正活跃在百姓当中的民间舞越来越远的发展状况。于是有疑问指出,“学院派”民间舞如此发展下去还能称之为民间舞吗?如此风格的民间舞对真正活跃在民间的民间舞蹈传承与发展将会有怎样的影响?诸如此类的批评和忧虑日渐增多。
In the recent two decades, the “Academics” folk dance represented by Beijing Dance Academy has become more and more revealing its unique styles and characteristics, gradually showing its farther and farther away from folk dancers who are truly active among the common people The development of the situation. So there are questions that “academic” folk dance so developed can be called folk dance? Folk dance of this style is really active in folk folk dance heritage and development will have what kind of impact? Increasing criticism and anxiety.