一、复调性一提到复调性,我们不禁想到陀思妥耶夫斯基及巴赫金复调理论诗学。巴赫金的复调理论主要强调的是小说中“思想者”有各自不同“声音”同时存在,而不是作者自己的“思想”的统一。而米兰·昆德拉的小说艺术理论中所提到的复调性主要指叙述的多线性和共时性并存。米兰·昆德拉在《小说的艺术》中明确地表明小说具有多线性不能说是具有复调性了,这些线索还要具备共时性的特征,那才可以说是具有复调性。具体到《人性的污秽》这部小说,米兰·昆德拉式复 First, the polyphony Mentioned the polyphony, we can not help but think of Dostoyevsky and Bakhtin polyphony theory poetics. The main emphasis of Bakhtin’s polyphony is that the “thinkers” have their own different “voices” simultaneously, rather than the author’s own “thoughts”. The polyphony mentioned in Milan Kundera’s art theory of the novel mainly refers to the coexistence of multi-linearity and synchronicity. Milan Kundera in the novel’s art clearly shows that the novel can not be said to be multi-linear polyphony, but also have the characteristics of these clues synchronicity, it can be said to be polyphonic. Specific to the “human contamination” of this novel, Milan Kundera complex