论文部分内容阅读
叙事时间是叙事文本体现出来的时间状态,表现了作家对叙事进程的安排。作家的时间观念和文本的内在情节要求决定了作品叙事时间上的概略、减缓甚至停顿等特点,表现出叙事节奏的轻重缓急。以中国古代短篇小说中的名篇《杜十娘怒沉百宝箱》为考察对象,从厘清叙事节奏的角度分析冯梦龙对宏观时间和微观时间的处理方法,揭示中国古代文学作品对于叙事时间把握的一般规律。
Narrative time is the time state reflected in the narrative text, which shows the author’s arrangement of narrative process. The writer’s concept of time and the intrinsic plot requirements of the text determine the characteristics of the narrative time, such as sketchy, slow or even stop, and show the priority of the narrative rhythm. Taking the famous novel Du Shi Niang as an example in his ancient Chinese short stories, this article analyzes Feng Menglong’s approach to macro-time and micro-time from the perspective of narrating rhythm and reveals the generality of Chinese ancient literature for grasping narrative time law.