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书法,历来为书家心灵撞击之结果。线条之畅涩,蕴育着书家的情感与情趣,笔墨之荣枯,张扬着书家的涵养与价值,气韵之走动,昭示着书家的诉求与审美。真正具有审美意义的书法作品,常常拥有多元的审美视角,不局限于一时一地,不遮蔽于此情此景,不受制于某权某势。效法自然,容纳天地,不拘一家,不排众流,吐故纳新,古今一
Calligraphy has always been the result of a book writer’s mind impact. The smoothness of the lines, contains the book’s feelings and fun, the glory of ink and wash, advocating the book’s conservation and value, the charm of the move, showing the calligrapher’s appeal and aesthetic. The real aesthetic sense of calligraphy, often with multiple aesthetic perspectives, is not limited to a one-time, not covered in this scene, not subject to a certain situation. Follow the rules of nature, to accommodate the world, regardless of one family, not row the public flow, spit new entrants, ancient and modern one