现代舞这一以对传统芭蕾的反叛而生发的舞蹈形式,拥有着多元的审美范畴,其从身体语言的诉说和动作的表现等方面均以反叛唯美主义为唯一审美准则,研究其背后独特的审美准则有助于我们更多元地观瞻现代舞。本文以西方美学中对唯美主义的反叛为理论基础,通过对邓肯、玛莎·格莱姆、新先锋派舞蹈的一系列案例分析,以期论述现代舞对唯美主义的 Modern dance, which takes the rebellion against the traditional ballet as a form of dance, possesses a plurality of categories of aesthetics. Relying on the rebuttal aestheticism as the sole aesthetic criterion in the aspects of body language and action, the modern dance studies its distinctive Aesthetic guidelines can help us look more modernly at modern dance. Based on the aesthetics revolt in Western aesthetics, this article analyzes a series of case studies of Duncan, Martha Graham and the new avant-garde dance with a view to discussing the relationship between modern dance and aestheticism