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保罗.高更巨作《我们从何处来?我们是谁?我们向何处去?》,从艺术的的表现形式及艺术思想均对现代艺术及当代艺术的影响是巨大的;然而有因必有其果,近代艺术思潮认为高更式的艺术是启蒙理性后自我放逐的象征,从某种角度看导致现代艺术的死亡;正是这种笛卡尔式的思想虚妄,也导致高更向往的遁世之地—“塔希提岛”最终成为他艺术上的地狱而非向往的“桃花源”。
Paul. Gauguin’s masterpiece “Where do we come from? Who are we? Where are we going?”, Both the form of art and the artistic thought have a great impact on modern art and contemporary art; however, There must be a result. Modern art thought holds that higher art is the symbol of self-exile after enlightenment reason, and leads to the death of modern art in some ways. It is this cartesian delusional result, Escape - “Tahiti ” eventually become his artistic hell rather than longing “paradise ”.