《国家公敌》和《一代奸雄》都是典型的好莱坞电影:变幻的情节,纠结的情感,眩目的打斗追踪,等待爆炸的“希区柯克式”悬念,美式的坊间幽默以及负载着“美国精神”的英雄形象。它们又都是出色的好莱坞电影。出色之处在于提出了“要手段还是要目的”的深刻问题。我把这种隐藏在好莱坞模式里的提问方式理解为美国电影人人文关怀在强势商业文化中 “National Enemy” and “Generation Adultery” are all typical Hollywood movies: changing plot, tangled emotions, dazzling fight tracking, “Hitchcock” suspense waiting to explode, American humor, and “ Spiritual ”heroic image. They are all excellent Hollywood movies. The good thing is that it raises the profound question of “whether it is a means or an end.” I interpret this style of questioning hidden in the Hollywood model as a humanistic concern for American filmmakers in a strong business culture