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文化与技术的革新是14世纪和15世纪欧洲的重要特征,其转变与建筑设计作为独立专业的肇始有深刻的渊源。建筑史和艺术史的许多研究已对其中一些方面进行了探讨,包括在空间表达时采用尺寸标注,因纸张可相对便宜地购得让人们能通过草图表达空间概念,以及机械印刷的手段如何影响配有插图、描述思想和理论稿件的编辑和传播方式。本文在诸多认知世界的定性概念和定量概念之间存在矛盾的领域中,探讨了透视画和通过符号表达的设计如何不仅象征着人们在描述、沟通和探讨建筑学方式上的激进转变,也成为此后几个世纪诸多专业争论的基础。
Cultural and technological innovations are an important feature of Europe in the 14th and 15th centuries and their transformation has a profound origins in the design of architecture as an independent profession. Many of the architectural and art history studies have explored aspects of this, including the use of dimensioning in spatial representation, the relative ease with which paper can be bought to convey the notion of space through sketches, and how mechanical printing can affect Equipped with illustrations that describe how ideas and theoretical manuscripts are edited and disseminated. In the area of contradictions between the qualitative and quantitative concepts of many cognitive worlds, this article explores how the design of perspective and symbolic representation not only symbolizes the radical shift in the way people describe, communicate and explore architecture, but also It became the basis of many professional debates in the following centuries.