清代玉器是封建社会玉器发展的最后一个高峰,它集历代之大成,在总结发扬数千年玉雕技艺的基础上,生产出各种品类的玉器,其用途之广、雕塑之精、设计之妙、数量之巨,是历朝玉器所无法比拟的。但由于清代距今较近,考古资料相对于其他年代较为稀缺,故我们研究的对象主要集中在了海峡两岸的故宫博物院及国内外各大文博机构保存的大量流传有序的清代玉器上。 Qing Dynasty jade is the last peak of the development of feudal society jade, which sets the culmination of past generations, in summary of thousands of years of jade carving art, based on the production of various types of jade, its wide range of uses, the sculpture of the fine, the design of Miao, the huge number, is the unparalleled calendar jade. However, since the Qing Dynasty was close and the archaeological data were relatively scarce compared with other ages, the objects of our study were mainly concentrated in the large quantities of well-kept and orderly jade articles of the Qing Dynasty kept by the National Palace Museum and other major cultural institutions both at home and abroad .