一九九八年夏天,文慧的“生活舞蹈工作室”正式开始常规训练,她希望我做《生育报告》的编剧,也做舞蹈员。我们一起练习,冬夏寒暑无阻。一年后,一九九九年七月,进入该作品的排练。实际上,这个作品是在排练过程中生成的。但刚开始谁也不知道这个作品该怎样推进,文慧让我写了一个又一个提纲和梗概,我对于用文字构造舞蹈作品很陌生,尤其是大的现代舞作品,可资参照的蓄积十分有限,凭借想象,费了半天劲写出来,到文慧这儿,跟她想象中的有距 In the summer of 1998, Wen Hui’s “Life Dance Studio” officially started regular training. She hopes I will be a screenwriter of the “Birth Report” and a dancer. We practice together, unobstructed summer and winter. A year later, in July 1999, she entered the rehearsal of the work. In fact, this work was produced during the rehearsal. But at the beginning who did not know how to promote this work, Wen Hui let me write one after another outline and outline, I was very strange for the construction of textual works of dance, especially the large modern dance works, the accumulation of reference is very limited , With imagination, took a long time to write fresh, to Wen Hui here, with her imagined a distance