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本论文通过对云南省西双版纳城乡地区两个傣族佛寺的安居节“赕坦”节庆仪式音乐的实地考察和比较分析 ,试图解读一种在少数民族地区城乡文化背景中发生的多元并存、互补交融音乐文化现象 ,进而去解释当今此类地区城市化进程及全球化、本土化对峙的状况下 ,于佛教节庆仪式音乐中呈现出来的某些有异于传统的特殊运行规律。
Through the field investigation and comparative analysis of the festivals of Taitun festival of two Dai Buddhist temples in the urban and rural areas of Xishuangbanna in Yunnan Province, this paper attempts to interpret a variety of mixed and complementary music that occurs in the cultural background of urban and rural areas in ethnic minority areas Cultural phenomenon, and then to explain the urbanization process in such areas today and globalization, localization of confrontation under the conditions of the Buddhist festival ritual music presented in some different from the traditional special operating rules.