自宋以来,李公麟作为文人画历史上之集大成者,承前启后,加之其儒释道贯通的综合素养,使得其绘画充满着“士画”的诗性和禅境的虚空。除人物、鞍马绘画之外,其在山水画方面之修为同样不容小觑,本文以《山庄图》为例,浅谈李公麟《山庄图》之形式语言及内在笔墨意趣,一窥李公麟山水画的特点及对后世之影响。 Since the Song Dynasty, Li Gonglin, as a master of the history of literati painting, inherited the past and combined his comprehensive qualities of Confucianism, Buddhism and Taoism, making his painting full of the poetic nature of the painting and the vanity of the Zen landscape. In addition to the figures, pommel horse paintings, the same can not be underestimated in the aspects of landscape painting, the article “Villa” as an example, on Li Gong-lin “Villa map” of the language and the inherent meaning of pen and ink, a glimpse of Li Gong-lin landscape features And the impact on future generations.