1984年,青海省乐都县文管所收藏的一批明、清时期的水陆佛像画,因其破旧,委托我们装裱。这批文物共24幅。其中明代作品20幅,绢本,每幅画心长约1.4米,宽约80厘米左右,均有不同程度的破损。绘制的内容是佛教中的神佛鬼怪,因果报应及有关故事。这些作品虽出自民间艺人之手,却有较高的绘画技巧,是水陆佛像画中的上乘之作。清代作品四件,三幅布本,一幅纸本。三幅布本均比明代绢本画略小,一绘文殊,一绘普贤,一绘地藏王。绘画技巧不高,画心较不完整。纸本作品是清代初期的大中堂《天官赐福图》,高179.7厘米,宽108厘 In 1984, a collection of water and land statues from Ming and Qing dynasties collected by the Ludong dynasty in Qinghai province entrusted us with framed paintings because of their old style. A total of 24 pieces of these artifacts. Among them, there are 20 pieces of works of Ming Dynasty, each with a heart of about 1.4 meters and a width of about 80 centimeters, all of which have different degrees of damage. The content of the painting is the Buddhist goddess ghosts, karma and related stories. Although these works are from the hands of folk artists, they have high painting skills and are excellent works of amphibious Buddha paintings. Qing Dynasty works four, three cloth, a paper. Three cloths are slightly smaller than the Ming Dynasty silk painting, a painted Manjusri, a painted Samantabhadra, a painted Zha Wang. Painting skills are not high, painted heart less complete. Paper works are the early Qing Dynasty Great Hall “Heaven Officials blessing map”, 179.7 cm high, 108% wide