视觉文化时代给传统文学的地位带来了极大的冲击,翻开了长久以来图文战争的新的一页。不仅文学作品内部开始出现图像性因素,文学文本的接受方式也随着图像的“入侵”发生了改变,文本可以通过隐喻、再现等方式创造图像。美国20世纪下半叶小说家卡佛的短篇作品风格独特,很多地方渗透着图像性,其中文本的意向、断裂、留白等特点形成了隐喻的、空间的和精神的图像。 The era of visual culture brought a great impact on the status of traditional literature and opened a new page in the long-time graphic wars. Not only the image elements begin to appear inside the literary works, but the way of accepting the literary texts also changes with the “invasion ” of the images, and the texts can be created through metaphor, reproduction and other means. In the second half of the 20th century, American novelist Carver’s short stories are unique in style. Many places permeate the image, and the intention, breakage and blank of the text form the metaphorical, spatial and spiritual images.