安徒生在《月亮看见了》中写道:“远离了童真,也就远离了艺术。”几乎每个知道安徒生以及他的作品的人,都会不约而同地给他冠以“童话大师”的光环,似乎这已经成了一种约定俗成的概念,并为绝大多数人接受。但是,当若干年之后的我,以一个成年人的身份读完安徒生的这本《月亮看见了》时,不免产生一种类似于强光照射后的眩晕。太过冷峻的直白,太过真实的残酷,却依然哀而不织,悲而不伤……在《月亮看见了》一书中,作者用一位背井离乡的穷画家作第 In “The Moon Sees,” Andersen wrote: “Beyond the innocence, you are also far away from art.” Almost every person who knows Andersen and his works will invariably give him the title “Master of Fairy Tales”. This has become a conventional concept and accepted by most people. However, when I read Andersen’s book “The Moon Sees” as an adult several years later, I could not help but produce a kind of vertigo similar to that caused by strong light. Too grim and straightforward, too cruel and cruel, but still sad but not weary, sad and not hurt... In the book “The Moon Sees,” the author used a poor painter who had left home