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一般而论,元朝末年崇尚文艺的风气,以东南为盛,而东南则以吴中为最。在元末农民起义中,割据苏州的张士诚实行安民政策,以礼优待文士,保住了江南士大夫和豪族富民的利益。相对而言,吴中文化气氛颇为浓郁。与这一时期《三国演义》《水浒传》等文学巨著出现相辉映,书法也进入了另一时代。自弘治、正德、嘉靖至隆庆百年间(一四八八—一五七二)的明中期,吴门书派即苏州地区书家群体的崛起,在明代乃至于中国书法史中占有重要篇
In general, the last years of the Yuan dynasty advocating the culture of literature and art, to southeast as Sheng, while the southeast is Wuzhong most. During the peasant uprising in Yuan Dynasty, Zhang Shicheng, who was seized in Suzhou, practiced the An Min policy and courted the scribes with courtesy, keeping the interests of Dr. Jiangnan and the rich and the rich. In contrast, Wu culture is quite rich. And this period “The Romance of Three Kingdoms” “Outlaws of the Marsh” and other literary masterpieces appear each other, calligraphy also entered another era. Since the middle of the Ming dynasty of Hongzhi, Masanori and Jiajing to Longqing (1448 - 1572), the emergence of the Wumen School Group, a group of calligraphers in Suzhou, occupies an important chapter in the Ming Dynasty and even in the history of Chinese calligraphy