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从历时、共时的角度研究侗族民歌,呈现出侗歌研究的历史和逻辑结构,使研究具有了统观的视角。将侗歌研究层级概括为基础性研究、拓展研究、总结性研究、深入研究四个阶段,勾勒出侗族民歌研究的生态序性,揭示了侗歌研究由歌俗叙述到理论介入、步步深入的研究规程。梳理侗歌研究的文献,揭示出侗歌的多元状貌、丰富的歌俗文化、独特的审美内涵以及侗歌包蕴的和谐美质,有利于明确侗歌在非物质文化遗产利用、保护与传承中的位置,从而促使侗歌研究推陈出新。
Studying Dong folk songs from diachronic and synchronic perspectives presents the historical and logical structure of the study of Dong folk songs, which makes the research have a unified visual angle. This paper summarizes the research level of Dong song as a basic research, expand research, summarize the research, in-depth study of four stages, outline the ecological order of the study of Dong folk songs, reveals the Dong song study from the folk custom to theory intervention, step by step Research protocol. The combing of the literature on the study of Dong songs reveals the diverse appearance of Dong-jiao songs, the rich cultural customs, the unique aesthetic connotation and the harmonious beauty of the Dong-ku songs and inclusions, which helps to clarify that the utilization of Dong-tiao songs in non-material cultural heritage, Inheritance in the position, thus promoting Dong song research innovation.