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本文就元代东传的火不思、兴隆笙、七十二弦琵琶等阿拉伯-伊斯兰乐器进行了详细考述,并论述了东来回回艺人在华的活动及回回乐曲的传播与影响。
This article gives a detailed account of the Arabian-Islamic musical instruments such as firethings, Xinglongsheng and seventy-two strings of pipa in the Yuan Dynasty, and discusses the spread and influence of the artists’ activities in China and returning music.