无论是对古今中外文学作品进行的纸媒阅读,还是对当下融合互联网各种资讯所做的屏幕阅读,承载“阅读”内容的媒介一直都是联系文学与受众的重要桥梁。从某种意义上说,独立而自主的媒介技术与形态的变迁,一直是促进文学阅读最具优势与活力的支配性力量。当2015年“互联网+”这类概念成熟之后,“文学”与其构成的属于“文学+”的种种新形态,更是意味着文学全方位的复合、衍生模式拉开了大幕。人们看到,当下“文学+”模式延伸出 Whether it is paper reading of ancient and modern literary works, or screen reading of the current integration of all kinds of information on the Internet, the medium bearing the contents of “reading” has always been an important bridge linking literature with the audience. In a sense, the independent and autonomous changes in media technologies and forms have always been the dominant forces that promote the most superiority and vitality of literary reading. When the concept of “Internet +” matured in 2015, “literature” and its new forms of belonging to “literature +” means more comprehensive compilation of literature and derivative modes are opened The curtain. People see that the current “literary + ” model extends out