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当代美国文学史和文学评论的编纂在评价17世纪清教及其影响下的北美殖民地文学时有着明显的偏见和认知困难;在分析女诗人安妮诗歌中的冲突与调和、怨恨与热爱、对抗和屈服的复杂情感时,往往将其归结为对清规戒律的抗议或背叛。重温当时的清教神学系统和诗歌语境,我们发现安妮并不附和殖民者宏大的“山巅之城”的叙事,也不简单延续一般宗教抒情诗的做法——以家庭、自然和圣经为沉思对象,以情感的坦诚表现对上帝的敬畏和虔信,而是将理想精神建构与琐细日常事件紧密结合,在内心世界与外在规范冲突之间,呈现出复杂的统一性情感的渴求,通过恰如其分的自律性虚构表现出和谐与深沉的谦卑情绪。
The compilation of contemporary American literary history and literary criticism has obvious prejudice and cognitive difficulties in the evaluation of North American colonial literature under the influence of Puritanism and its influence in the 17th century. In the analysis of conflict and reconciliation, resentment and love in the poetry of Annie, the poet, And yield complex feelings, often attributed to protest or betrayal of the rules and regulations. Reviewing the Puritan theological system and the context of poetry at that time, we found that Annie did not attach to the magnificent “hill of cities” narrative of settlers nor did he simply follow the practice of general religious lyricism - And the Bible as a contemplative object, expressing his awe and devotion to God in a candid and emotional way. Instead, it closely integrates the ideal spirit construction with the trivial daily events and presents a complex unifying emotion between the inner world and the outer norms. The thirst for harmony and deep humility through the proper self-discipline fiction.