1992年底,北京的剧坛上又一次刮起了“东北风”:黑龙江省继两年前一举晋京献演8台大戏之后,再一次在首都舞台上同时推出4台大戏(两台话剧,两台评剧),显示出该省在振兴我国戏剧方面所拥有的强大实力。早在80年代,黑龙江省的戏剧家们就雄心勃勃地提出了发展“黑土戏剧”这一富有地域文化特点的设想和口号。从该省近年来不断推出的在 At the end of 1992, the northeasterly wind once again blossomed in Beijing’s theater: Heilongjiang Province once again released four operas (two dramas, two dramas, Two Pingju), demonstrating the province’s strength in revitalizing China’s drama. As early as the 1980s, the dramatists in Heilongjiang province ambitiously proposed the idea and slogan of developing “the drama of the black earth” which is rich in regional culture. In recent years from the province has been introduced