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東漢初期開始出現有關書法的論述。而最早討論“技法”的書法专論,本文以爲當數見于北宋时期《墨池編》(宋治平三年序)收入的《玉堂禁經》。《玉堂禁經》由若干片段組成,涉及筆畫、結構、書法創作訣竅等問题。其中,最著名的篇章是《永字八法》及《永字八法圖》,對後世影響甚大。《玉堂禁經》在書學史上佔有一定的地位。但是,目前尚未解決《玉堂禁經》撰者、出处等問題。本文依靠書法文獻的梳理和書法史的觀察,討論这些问题,以期瞭解中國古代書法技法和書法教學。
Early Eastern Han Dynasty began to appear on the calligraphy. The earliest discussion of “calligraphy ” calligraphy monograph, this article that when the number found in the Northern Song Dynasty “pool” (Song Zhiping three years of income) “Yutang Banjing.” Yutang Banjing consists of a number of fragments, involving stroke, structure, calligraphy and other creative know-how. Among them, the most famous chapter is the “eight characters of the word” and “eight-character map of the word”, a great influence on future generations. “Yutang Banjing” occupies a certain position in the history of calligraphy. However, there is no solution to the issue of “Yutang Banjing”, source and other issues. This article relies on the combing of calligraphic literature and the observation of the history of calligraphy to discuss these issues in order to understand ancient Chinese calligraphy and calligraphy teaching.