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日本“御三家”之一的小松左京在《日本沉没》中通过直击灾难的方式,以海洋为背景,从小说中描写人物个体的忧患意识出发,结合地质学假说,让沉浸在经济高速增长的乐观情绪中的日本国民再次面临失去国土、种族灭亡及文化终结的危机,直接展现出民族虚无的日本国民的孤独心理。把危机记忆转化为文字记忆,以试图唤醒和修复20世纪60、70年代日本的民族文化和民族精神。
Koizumi left Beijing, one of Japan’s Three Kingdoms, explored the disaster by direct attack on the background of the ocean. Starting from describing the individual’s sense of urgency in the novel, combining with the geological hypothesis, Japanese nationals in the optimism of growth face once again the crisis of losing territory, genocide and end of culture, and they directly display the loneliness of the nation’s nihilistic Japanese people. Transforming crisis memory into word memory in an attempt to awaken and repair Japan’s national culture and national spirit in the 1960s and 1970s.