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夏承燾先生的小令創作,具有明顯的徒詩化傾向,並以融合浙西詞派與常州詞派爲特點,將江西字法與長篇章法引入小令創作。其中,非轉韻體五七言小令更近於詩,以吸收江西字法爲主要特點,以平常字面的新奇搭配見長;轉韻體小令更多體現詞的本色,以吸收歌行頓挫章法爲主要特點,並與浙西詞派相通,以形式和内容的配合見長。夏承燾先生的嘗試,爲當代詞學的進一步發展提供了啓迪。
Xia Chengling’s Xiaogan’s writing has a clear tendency of applying poetry. Based on the integration of western Zhejiang school and Changzhou school of poetry, it introduces the writing style of Jiangxi and the long chapter into Xiao Ling’s writing. Among them, the non-rhyme rhymed in five or seven words Xiao Ling more close to the poem, in order to absorb Jiangxi characters as the main features, with the usual literary novel collocation; rhyme body Xiao Ling more reflect the true nature of the word, in order to absorb songs Frustrated Zhang law as the main feature, and western Zhejiang school of words connected to the form and content of chief executive. The attempt by Mr. Xia Chengtao provided enlightenment for the further development of contemporary Ci-Ci.