意境,是中国文学艺术理论中的一个重要的审美概念。中国的诗词讲意境,散文也讲意境,舞蹈、绘画、音乐无不讲究意境。大凡运用形象思维进行创作的艺术家,无不在自己的作品中追求意境美。意境这一概念,始见于相传为唐朝王昌龄所作《诗格》,他谈诗有三境:物境、情境、意境。王昌龄之后的中、晚唐诗人和 Artistic conception is an important aesthetic conception in Chinese literature and art theory. China’s poetry tells the mood of mood, prose also speak of mood, dance, painting, music, all pay attention to mood. Every artist who creatively uses the imagery to think of the artistic conception in his own works. The concept of artistic conception began as it is said to have been made by Wang Changling in the Tang Dynasty as a “poetic genre.” He talked of poetry in three contexts: the situation, the situation and the mood. Wang Changling after the middle and late Tang poets and