Maybeshewill的首张正式专辑成为了今年后摇圈子当中不可多得的一个亮点之一,在65 Days of Static一张过分电气化的EP出炉并受到了强烈的非议之后,同门的Maybeshewill则充分阐释了他们的音乐灵性,并在连贯性、悦耳性、精致度上大大超过了65 Days of Staric。2005年夏季成立于英国莱斯特市的这支纯器乐乐队早在2006年初就自行在他们自己的厂牌“Robot Needs Home”下发行了首张细碟《Japanese Spy Transcript》,并在稍晚的八月重新灌录后由日本厂牌XTAL发行,其时乐队的成员除在念大学时就相识的John Helps和Robin Southby(他俩是Maybeshewill成立以来最固定的两位成员,也是创作核心)以外,担任鼓手和贝司手的是Taya Byrne和Lawrie Malew。在这张EP当中乐队成员已经充分调动起了他们创作音乐时的独创性,不仅仅插入了大量的电影原声对白采样和钢琴流利的演奏段落,更主要的就是电子器乐 Maybeshewill’s first full-length album became one of the highlights of this year’s post-rocking circle. After an over-electrified EP of the 65 Days of Static came under intense criticism, Maybeshewill at the same stage fully explained them Musical spirituality, and outperforms the 65 Days of Staric in consistency, sweetness and sophistication. The pure instrumental band founded in Leicester in the UK in the summer of 2005 released its first Japanese Spy Transcript as early as early 2006 under their own label “Robot Needs Home” Later in August after re-recording by the Japanese label XTAL issue, when the band’s members in addition to studying at the University of John Helps and Robin Southby (they are two since the establishment of Maybeshewill since the establishment of the two members, but also the core of creation ), Taya Byrne and Lawrie Malew serve as drummers and bassists. In this EP among the members of the band has been fully mobilized their originality in the creation of music, not only inserted a large number of original soundtrack dialogue and piano flute performance of the passage, the more important is the electronic instrumentation