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约翰·费斯克的大众文化理论强调了受众在解读大众文化文本时“权且利用”文本进行意义和快感生产所体现出的创造力和能动作用,这是大众抵制文化工业霸权和规训的符号意义上的生产。当费斯克理论“旅行”到中国之后,国内学者结合中国大众文化生成的具体语境,从费氏理论所强调的抵制性的意义和快感等符号意义上的生产转向了对大众在实践中积极参与文化产品的生产的研究,是费斯克大众文化理论在中国的有益变异。
The popular culture theory of John Fisk emphasizes the creative and active role embodied in the meaning and pleasure production of the audience by using the “right and the use of” text in the interpretation of popular culture texts. This is the mass opposition of the public to cultural industry hegemony and discipline Symbolic production. After Fiske’s theory of “travel” came to China, the domestic scholars combined with the concrete context of popular culture in China, shifted from symbolic production such as boycott’s meaning and pleasure emphasized by Fei’s theory to public practice Actively involved in the study of the production of cultural products is a useful variant of the theory of popular culture in China.