《哈姆莱特》与《窦娥冤》两部剧作有着浓烈的文化意蕴,为历代观众、读者、听众所崇敬,其中原因是多方面的,而最重要的一点就是两部剧作都用着深厚的民族积淀,无论是故事情节,还是精神特质都有着剪不断理还乱的文化基因。从原型理论的角度来分析这两部伟大的悲剧作品,能够发现东西方各自不同的文化镜像。 There are many cultural connotations in the two dramas “Hamlet” and “Dou’e Yuanjuan”, which are revered by the audiences, readers and listeners of all ages for many reasons. The most important point is that both dramas are used A profound national heritage, both the storyline, or spiritual characteristics have cut the chaos of cultural genes. Analyzing these two great tragedies from the perspective of the prototype theory can find the different cultural images of East and West.