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文艺学本体论研究是新时期文艺学研究的主导趋势。这一时期多种文艺学本体论形态纷纷在国内论坛登场亮相,从本质上说,这是新时期文艺观念的一次大胆的自我调整与革新,极大地彰显了艺术形式的特殊价值,促进了文学研究的语言学转向,具有十分重大的意义。然而,由于文艺学本体论自身的缺限和解构主义的颠覆,文艺学本体论几乎陷入困境,淡出人们的研究视野。如何摆脱这种困境,建构新世纪文学本体论,是当代学人必须思考的问题。
The study of ontology of literature and art is the dominant trend in the research of literature and art in the new period. In this period, a variety of ontological forms of literary theory have debuted in the domestic forums one after another. In essence, this is a bold self-adjustment and innovation in the literary and artistic conception in the new era, which greatly highlights the special value of the art form and promotes literature The linguistic turn of the study is of great significance. However, due to the limitations of the ontology of literature and art itself and the subversion of deconstruction, the ontology of literature and art is almost in a predicament and fade from the research perspective of people. How to get out of this dilemma and construct the ontology of literature in the new century is a problem that contemporary scholars must think.