青年演员对于优秀的传统,应该认真继承,也应该认真地学习流派。但是在继承、赵世璞在《文昭关》中饰伍子胥学习的前提下,又不能学死了,应当根据自己的特定条件作相应的发展变化。我们不赞成“没学会走就练跑”的学习方法,也不提倡亦步亦趋,一成不变。因为任何一个流派,都是在继承前人的基础上发展变化而来的。《伍子胥》本来是一出一般的传统戏,可后来却由杨宝森唱成了“杨派”名剧。杨宝森宗余叔岩,他的“杨派”,就是在“余派”的基础上形成的。《伍子胥》原是余派的戏,其中《鱼肠剑》一折尤其唱得出色、灌了唱片。但全部《伍子胥》,尤其《文昭关》一折,却成了杨宝森的代表作。可见凡有光彩的演出,不仅因为继承 Young performers have a good tradition of inheritance and should seriously study genres. However, in the succession, Zhao Shipeu in “Wen Zhaoguan” decorated Wu Zixu study under the premise, they can not learn to die, should be based on their specific conditions for the corresponding changes in development. We do not agree with the “did not learn to go practice” learning methods, do not advocate the pace, immutable. Because any one genre, are inherited from the previous development and changes come from. “Wu Zixu” was originally a traditional drama, but later sung by Yang Baosen as a “Yang School” famous play. Yang Baosen Zong Yuanyu rock, his “Yang school” is formed on the basis of “Yu school”. “Wu Zixu” was originally the play of the Yupai, in which the “intestine sword” was particularly good at a break, filling the record. However, all “Wu Zixu”, especially “Wen Zhaoguan” a discount, has become Yang Baosen’s masterpiece. Visible where brilliant performance, not only because of succession