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古今中外,最吸引人的戏剧,往往都源于最真实的生活。中国戏曲与西方戏剧在表现形式上虽有区别,但它们的本质都应是相同的,那就是在特定的时空内模仿一段生活的行动。如果说现当代西方戏剧由于种种新进的流派理念,已经多少不太适应这一定义的话,那么中国戏曲依然可用这句话来概括。戏曲的形式与内容有一种很难得的和谐,它的形式夸张而不失真实,让人感到生活的存在而又不全是生活,
Ancient and modern at home and abroad, the most attractive drama, often from the most authentic life. Although there are differences in the forms of expression between Chinese opera and western drama, their essence should be the same. That is to imitate a period of life in a specific space-time. If we say that modern Western drama is somewhat less suited to this definition due to various new genre concepts, then Chinese opera can still be summed up in this sentence. The form and content of opera has a rare harmony, its form exaggerated without losing the real, people feel the existence of life but not all life,