纵现中国山水画史，我们可以发现”天人合一”的概念一直伴随着这一艺术门类的发展。画家们很久以来有着一种追求“天人合一”的传统，在画论中也有大量相关的认识。如“妙将入神，灵则通圣”（朱景玄语)。“穷神变，测幽微”(张彦远语)。“穷无妙于意表，含神变乎天机”(张彦 Looking at the history of Chinese landscape painting, we can find that the concept of “harmony between man and nature” has been accompanied by the development of this art genre. Painters have long cherished a tradition of “harmony between man and nature”, and also have a great deal of relevant knowledge in the painting theory. Such as “wonderful master, Spirit is holy” (Zhu Jing mysterious language). “Poor God changed, measured quiet” (Zhang Yan Yuan language). “Impoverished in meaning, God becomes a secret” (Zhang Yan